This is extraordinary news for filmmakers as DZOFilm reveals its brand-new range of T/1.4 FF/VV cine lenses under the Arles line. This line-up consists of five remarkable primes: 25mm, 35mm, 50mm, 75mm, and 100mm. Interestingly, the Arles line adopts an approach that emphasizes top-notch technicalities over the charm of creative imperfections.
Superior Specifications
The lenses in the Arles line boast a uniquely consistent mechanical structure. Although their weight varies, they maintain uniformity in dimensions featuring a 95mm front diameter and horizontally aligned 0.8 pitch gears. Additionally, the lenses are characterized by an impressive T1.4 aperture, ensuring an extraordinary depth of field and supreme light absorption throughout the line.
With the launch of the Arles line, DZOfilm directly competes with rival lens lines such as the NiSi ATHENA and SIGMA Art Cine, including renowned ones like ZEISS.
Design and Usability
Each lens in the DZOfilm Arles set maintains identical dimensions and is enclosed in a sleek black aluminum frame embodying geared focus and aperture rings. This practical design aspect simplifies lens swapping. Depending on the model, the weight varies from 1490g/3.28 lbs. for the 25mm T/1.4, to 1830g/4.03 lbs. for the 100mm T/1.4. These lenses propose a user-friendly feature of changeable focus distance scales, either in metric or imperial.
Optical Attributes and Competition
The Arles set stands out due to its intricate optical design, promising minimal aberrations and distortions. These large lenses are committed to delivering a homogenous look irrespective of the focal length. On a comparative note, the NiSi ATHENA line, with a slower stop but a pocket-friendly price tag, stands as a worthy competitor. Furthermore, the SIGMA Cine Art, though pricier, holds a formidable reputation enticing many filmmakers.
Pricing and Accessibility
Aspiring owners can already place their orders for the DZOFilm Arles lenses. Priced at $9,699 for the set at B&H, or €9178.14 at CVP (ex. VAT), the Arles series represents a refreshing balance of quality and affordability in the cine lens segment.
In summary, the introduction of the DZOFilm Arles T/1.4 prime definitely offers an attractive option to fulfill diverse creative requirements. Whether or not filmmakers will gravitate towards this set or opt for different alternatives is something to watch out for. (AlphaAV)
